Enhance your space with these stylish clocks, available in both round and square shapes and two sizes. Crafted from durable 100% acrylic, these clocks resemble glass but offer greater sturdiness. Featuring a keyhole for easy wall hanging.   .: Material: 100% acrylic.: Size (10.75''×10.75''').: Requires one AA battery (NOT included).: Includes keyhole hanging slot Artwork designed and digitally remastered by Sarasvati Designs. The original artwork, "A Sunday on La Grande Jatte," is a masterpiece created by the French post-Impressionist painter Georges Seurat in 1884. This large-scale painting is one of the most iconic and celebrated works of art in the history of Western art, known for its innovative technique and meticulous attention to detail. The artwork portrays a leisurely scene along the banks of the River Seine at La Grande Jatte, an island in the outskirts of Paris. The scene captures a cross-section of Parisian society during a typical Sunday afternoon. The painting is teeming with people, each engaging in various activities, creating a vibrant and bustling tableau. One of the most distinctive features of "A Sunday on La Grande Jatte" is Seurat's revolutionary pointillist technique. Instead of traditional brushstrokes, he applied tiny, separate dots or points of color to the canvas. From a distance, these dots blend together, creating a sense of luminosity and vibrancy. The meticulous division of color in this manner allowed Seurat to explore the science of color and perception, which was at the heart of pointillism.  

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Each clock has a keyhole at the back for easy hanging on a wall. They're made from an acrylic material that looks like glass but is more durable and sturdy. .: Material: 100% acrylic.: Size options (10.75''×10.75'').: Requires one AA battery (NOT included).: Includes keyhole hanging slot Artwork designed and digitally remastered by Sarasvati Designs. Referred to as the "Birth of Venus" by Sandro Botticelli, this composition actually portrays the goddess of love and beauty's arrival on land, specifically on the island of Cyprus. She is born from the sea spray and carried ashore by the winds, Zephyr and, possibly, Aura. Venus stands gracefully upon a colossal scallop shell, radiating purity and perfection akin to a pearl. Her presence is met by a young woman, sometimes identified as one of the Graces or as the Hora of spring, extending a cloak adorned with flowers. Even the roses, borne by the wind, symbolize the arrival of spring. The subject of this painting, celebrating Venus as the symbol of love and beauty, is believed to have been inspired by the poet Agnolo Poliziano. It is highly likely that this work was commissioned by a member of the Medici family, although there are no records of the painting until 1550, when Giorgio Vasari described it in the Medici's Villa of Castello. Botticelli draws inspiration from classical sculptures for Venus's modest posture, as she veils her nudity with her long, golden hair, which gleams with gilded highlights. Even the depiction of the Winds, shown embracing one another in mid-air, is influenced by an ancient work—a Hellenistic gem once owned by Lorenzo the Magnificent.     10.75'' × 10.75'' (Square) Width, in 10.75 Height, in 10.75 Thickness, in 0.19    

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